Lady Macbeth of Mtsensk Reviews 2019
“One difference this time came with the venue itself: marginally smaller and warmer than BOC’s usual disused factories, it turned out to have a pretty decent acoustic. That meant that the quiet moments actually worked — never a given with these promenade productions — and we could hear just enough compassionate softness in Chrystal E. Williams’s steely, seductively phrased Katerina to make her into a character rather than a cartoon.”
Richard Bratby